|
Curriculum
The Opera & Choral Conservatory Advanced Arts Program
partners OCHSA seniors with Opera Pacific professionals,
exposing students to a greater level of talent and artistry
before entering higher educational institutions and pursuing
professional careers. Under the program, OCHSA seniors
will receive an individual professional and academic
assessment from a member of Opera Pacific’s staff and attend
a Q & A master class with Opera Pacific Artistic Director
John DeMain in addition to a variety of other operatic
educational experiences.
We are pleased to report that our graduating seniors have
been accepted into some of the finest universities such as
Juilliard School of Music, Indiana University, San Francisco
Conservatory of Music, USC, Chapman University, and Eastman
School of Music.
OCHSA offers master classes, open to the public at no
charge this year, with distinguished singers, conductors and
stage directors. Our students have benefited or will
benefit from such esteemed artists as:
Joseph Bascetta
Vera Calabria
Andrew Fernando
Robin Follman
Brian Jauhiainen |
Jonathan Mack
Christopher Robertson
Lynette Tapia
Bernard Uzan
Henri Venanzi |
In addition to master class opportunities, private voice
lessons, and attendance at rehearsals and performances of
local opera companies, OCHSA students are required to take
four years of opera classes, including:
Piano 101
Acting Fundamentals I, II, III & IV
Theory I, II, III & IV
Opera Scenes Workshop
Vocal Technique
Performance Techniques
Vocal Forum |
Piano - Vocal Collaboration
Opera & Song Literature and Interpretation
Movement and Dance
Deportment & Attire
Diction
Music History I & II
Italian I & II |
|
|
Faculty
Bios
Robin Follman, Director of Opera and Choral Conservatory
Robin Follman joined the Orange County High School of the Arts
in 2002 and currently serves as director, Opera and Choral
Conservatory. Considered one of the rising young talents in
the operatic world today, internationally acclaimed soprano,
Follman has appeared extensively in opera, concert, and
oratorio in the United States, Europe and Asia. Gramophone
highlighted her debut CD Robin Follman's Rare Verismo Arias as
having "a dramatic prowess that tears into the heart of the
style." Opera News hailed her as having "brought enchantingly
pure tone, easy high range and rich musical style to her
international-class Marguerite" and "a singer-actress fully
worthy of that dual distinction" of her portrayal of Mimi in
La Boheme. Recent engagements have included Rosalinde in Die
Fledermaus with Michigan Opera Theater, Mimi in La Boheme for
both Opera Pacific and the Macau International Music Festival,
Donna Elvira in Don Giovanni with Santa Barbara Opera, and
Carmina Burana in Portland, Oregon with the widely acclaimed
dance troop, BodyVox
Her performance experience includes Tosca for the
Florentine Opera, Micaela in Carmen for Houston Grand Opera,
Opera Pacific and Madison Opera; First Lady in Die Zauberflöte
for the Los Angeles Opera; Abigail Williams and Sarah Good in
The Crucible for the Washington Opera; Mimi in La Boheme for
the Macau International Music Festival, Opera Pacific, Fresno
Grand Opera and Pamiro Opera; Musetta in La Boheme for New
York City Opera, Opera Pacific, Florentine Opera, and Dayton
Opera; Violetta in La Traviata with Hawaii Opera Theater;
Nedda and the soprano soloist in Chris Mattaliano's production
of Pagliacci; and Carmina Burana with Utah Opera and Nedda in
Pagliacci for Gold Coast Opera; the Heroines in Les Côntes
d'Hoffmann for both Toledo Opera and Piedmont Opera;
Marguerite in Faust for Madison Opera, Rosalinde in Die
Fledermaus with Lyric Opera of Kansas City; Anna Glawari in
The Merry Widow with Madison Opera and Valencienne with Opera
Pacific and Indianapolis Opera. Other credits include
Frasquita in Carmen with Baltimore Opera and Opera Pacific,
Mrs. Ford in The Merry Wives of Windsor and Despina in Cosi
fan tutte with Indianapolis Opera.
In addition to her recently released solo CD Rare Verismo
Arias (VOG/Qualiton) with Yves Abel conducting the English
Chamber Orchestra, she can be heard on Brahms' Liebeslieder
Walzer, Op. 82, with the William Hall Master Chorale (Angel).
In 2004, she will team-up once again with Grammy Award-winning
producer Michael Haas (Coral Fox, Prod.), conductor Yves Abel
and the English Chamber Orchestra for a second solo CD and
also a duet CD with Chinese tenor, Warren Mok.
A frequent visitor to the concert stage, Follman has
appeared with thenglish Chamber Orchestra, St. Louis
Symphony, the Pacific Symphony Orchestra, the Richmond
Symphony, International Italian Orchestra, Milwaukee Symphony
Orchestra and the Alabama Symphony. She recently appeared in
recital with tenor Warren Mok in Taipei, Taiwan with the
Purely Professional Orchestra in the National Cultural Center.
In addition, she has performed the soprano solo in Rossini's
Stabet Mater with the Macau International Music Festival in a
live Asian broadcast, Serpina in La Serva Padrona with the
Bochum Symphony Orchestra and Violetta in La traviata with the
South Texas Symphony.
Follman has worked with such conductors as Carlo Donadio,
Yves Abel, George Manahan, Francis Bonnin, Christopher Larkin,
Christian Badea, James Meena, Daniel Beckwith, Steven Sloane,
John DeMain, Joe Rescigno, Gunther Bauer-Skenk and Amy Chang.
|